1 10 5 https://mail.archivalrenewal.digitalscholarship.brown.edu/files/original/84804364c404ee1a3d05dd5d98ab3c02.pdf 7298b9555092e255fcb4c542feec1760 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Archival renewal Description An account of the resource Archival reckoning with death Arguably, every interaction with the archive is destructive: whether that is literal pieces of a notebook falling apart or the oily friction from your fingers meticulously wearing down the fibers of a piece of paper. However, this is just predicting the inevitable of our physical world: everything passes. Each interaction with the archives also breaks something of the less tangible: the barrier between you and it, those knotted connections whose pieces are rearranged and made anew. Like the human body, on its way to rotting into illegible mush, there is a brevity of beauty and renewal in the archive’s death and decay. Despite the fact that all things perish, for the time being, the archives elude a false promise of eternal preservation for those who are inducted. This invincibility to oblivion is significant as its timelessness and factfulness maintains hegemonic power. Through this project, I want to explore the ironic relationship between preservation and decay specifically through the lives and subsequent archival remains of those who have met premature social violence. Even as a living body, you can face premature death in society due to perceived criminality, incarceration, and race. The castigation to social death can be interpreted as “a loss of social identity, a loss of social connectedness and losses associated with disintegration of the body” as imposed by society and its structures (Králová). When you are purposefully neglected by governmental institutions and deemed non-existent, it is common to meet the same fate in the archives. Archival renewal However, neither physical death nor societal death is final. The debris and decay that is left behind and scattered physically reside in a unique space of institutional memory. By highlighting what already exists in the archive and examining those pieces alongside queer, black feminist theory, and decolonial perspectives, I question if there can be a rebirth: a wholeness, love and life redeemed in the archive. Jana Králová (2015) What is social death?, Contemporary Social Science, 10:3, 235-248, DOI: 10.1080/21582041.2015.1114407 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BLACK PRISON Subject The topic of the resource death Description An account of the resource What does it mean to overcome death? To be beyond matter? Publisher An entity responsible for making the resource available The Greenfield Review Press Date A point or period of time associated with an event in the lifecycle of the resource October 1970 Format The file format, physical medium, or dimensions of the resource published anthology Type The nature or genre of the resource free-form poetry Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant John Hay Library, Greenfield Press Records Box 8 Folder 4 Creator An entity primarily responsible for making the resource Anonymous https://mail.archivalrenewal.digitalscholarship.brown.edu/files/original/1debbef0bb4fe98b9df6354b334b1c71.pdf f44b532c2adde3fb8bb019e84fed1575 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Archival renewal Description An account of the resource Archival reckoning with death Arguably, every interaction with the archive is destructive: whether that is literal pieces of a notebook falling apart or the oily friction from your fingers meticulously wearing down the fibers of a piece of paper. However, this is just predicting the inevitable of our physical world: everything passes. Each interaction with the archives also breaks something of the less tangible: the barrier between you and it, those knotted connections whose pieces are rearranged and made anew. Like the human body, on its way to rotting into illegible mush, there is a brevity of beauty and renewal in the archive’s death and decay. Despite the fact that all things perish, for the time being, the archives elude a false promise of eternal preservation for those who are inducted. This invincibility to oblivion is significant as its timelessness and factfulness maintains hegemonic power. Through this project, I want to explore the ironic relationship between preservation and decay specifically through the lives and subsequent archival remains of those who have met premature social violence. Even as a living body, you can face premature death in society due to perceived criminality, incarceration, and race. The castigation to social death can be interpreted as “a loss of social identity, a loss of social connectedness and losses associated with disintegration of the body” as imposed by society and its structures (Králová). When you are purposefully neglected by governmental institutions and deemed non-existent, it is common to meet the same fate in the archives. Archival renewal However, neither physical death nor societal death is final. The debris and decay that is left behind and scattered physically reside in a unique space of institutional memory. By highlighting what already exists in the archive and examining those pieces alongside queer, black feminist theory, and decolonial perspectives, I question if there can be a rebirth: a wholeness, love and life redeemed in the archive. Jana Králová (2015) What is social death?, Contemporary Social Science, 10:3, 235-248, DOI: 10.1080/21582041.2015.1114407 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ah Rain! Subject The topic of the resource rotten rot Description An account of the resource The beauty and life created out of rot. Creator An entity primarily responsible for making the resource Jimmy Santiago Baca Publisher An entity responsible for making the resource available Curbstone Press Date A point or period of time associated with an event in the lifecycle of the resource 1982 Format The file format, physical medium, or dimensions of the resource published chapbook Language A language of the resource english Type The nature or genre of the resource free-form poetry Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant John Hay Library, Greenfield Records Press Box 17 Folder 7 https://mail.archivalrenewal.digitalscholarship.brown.edu/files/original/021b1d8ecc1de0bc148e60760ef2d5a7.pdf ebc3b9f43c44c5a5693cace718954d5c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Archival renewal Description An account of the resource Archival reckoning with death Arguably, every interaction with the archive is destructive: whether that is literal pieces of a notebook falling apart or the oily friction from your fingers meticulously wearing down the fibers of a piece of paper. However, this is just predicting the inevitable of our physical world: everything passes. Each interaction with the archives also breaks something of the less tangible: the barrier between you and it, those knotted connections whose pieces are rearranged and made anew. Like the human body, on its way to rotting into illegible mush, there is a brevity of beauty and renewal in the archive’s death and decay. Despite the fact that all things perish, for the time being, the archives elude a false promise of eternal preservation for those who are inducted. This invincibility to oblivion is significant as its timelessness and factfulness maintains hegemonic power. Through this project, I want to explore the ironic relationship between preservation and decay specifically through the lives and subsequent archival remains of those who have met premature social violence. Even as a living body, you can face premature death in society due to perceived criminality, incarceration, and race. The castigation to social death can be interpreted as “a loss of social identity, a loss of social connectedness and losses associated with disintegration of the body” as imposed by society and its structures (Králová). When you are purposefully neglected by governmental institutions and deemed non-existent, it is common to meet the same fate in the archives. Archival renewal However, neither physical death nor societal death is final. The debris and decay that is left behind and scattered physically reside in a unique space of institutional memory. By highlighting what already exists in the archive and examining those pieces alongside queer, black feminist theory, and decolonial perspectives, I question if there can be a rebirth: a wholeness, love and life redeemed in the archive. Jana Králová (2015) What is social death?, Contemporary Social Science, 10:3, 235-248, DOI: 10.1080/21582041.2015.1114407 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource THE SPIRIT OF REVOLUTION Subject The topic of the resource rotten Description An account of the resource Bury the rotten, the spoiled. "It is time for birth..." Creator An entity primarily responsible for making the resource Pancho Aguila Publisher An entity responsible for making the resource available Aldebaran Review Date A point or period of time associated with an event in the lifecycle of the resource 1976 Format The file format, physical medium, or dimensions of the resource published chapbook Language A language of the resource english Type The nature or genre of the resource free-form poetry Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The John Hay Library, Greenfield Press Records Box 17 Folder 2 https://mail.archivalrenewal.digitalscholarship.brown.edu/files/original/a273c3fd13efa350cb6e416bbb8021f9.pdf 8d8047391a3793f3f9d48eafab9a8188 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Archival renewal Description An account of the resource Archival reckoning with death Arguably, every interaction with the archive is destructive: whether that is literal pieces of a notebook falling apart or the oily friction from your fingers meticulously wearing down the fibers of a piece of paper. However, this is just predicting the inevitable of our physical world: everything passes. Each interaction with the archives also breaks something of the less tangible: the barrier between you and it, those knotted connections whose pieces are rearranged and made anew. Like the human body, on its way to rotting into illegible mush, there is a brevity of beauty and renewal in the archive’s death and decay. Despite the fact that all things perish, for the time being, the archives elude a false promise of eternal preservation for those who are inducted. This invincibility to oblivion is significant as its timelessness and factfulness maintains hegemonic power. Through this project, I want to explore the ironic relationship between preservation and decay specifically through the lives and subsequent archival remains of those who have met premature social violence. Even as a living body, you can face premature death in society due to perceived criminality, incarceration, and race. The castigation to social death can be interpreted as “a loss of social identity, a loss of social connectedness and losses associated with disintegration of the body” as imposed by society and its structures (Králová). When you are purposefully neglected by governmental institutions and deemed non-existent, it is common to meet the same fate in the archives. Archival renewal However, neither physical death nor societal death is final. The debris and decay that is left behind and scattered physically reside in a unique space of institutional memory. By highlighting what already exists in the archive and examining those pieces alongside queer, black feminist theory, and decolonial perspectives, I question if there can be a rebirth: a wholeness, love and life redeemed in the archive. Jana Králová (2015) What is social death?, Contemporary Social Science, 10:3, 235-248, DOI: 10.1080/21582041.2015.1114407 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The problems of writing in prison Subject The topic of the resource debris rot Description An account of the resource The suffocation and manmade stench of social death, one that overlooks the inherent love in man. Creator An entity primarily responsible for making the resource P.T. Publisher An entity responsible for making the resource available The Greenfield Review Press Date A point or period of time associated with an event in the lifecycle of the resource 1971 Format The file format, physical medium, or dimensions of the resource published anthology Language A language of the resource english Type The nature or genre of the resource prose Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The John Hay Library, Greenfield Press Review Box 8 Folder 4 https://mail.archivalrenewal.digitalscholarship.brown.edu/files/original/0a5c610099f4e1999a057a4868172f36.pdf eb585d9a25ccd098270cd1fce1a1d606 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Archival renewal Description An account of the resource Archival reckoning with death Arguably, every interaction with the archive is destructive: whether that is literal pieces of a notebook falling apart or the oily friction from your fingers meticulously wearing down the fibers of a piece of paper. However, this is just predicting the inevitable of our physical world: everything passes. Each interaction with the archives also breaks something of the less tangible: the barrier between you and it, those knotted connections whose pieces are rearranged and made anew. Like the human body, on its way to rotting into illegible mush, there is a brevity of beauty and renewal in the archive’s death and decay. Despite the fact that all things perish, for the time being, the archives elude a false promise of eternal preservation for those who are inducted. This invincibility to oblivion is significant as its timelessness and factfulness maintains hegemonic power. Through this project, I want to explore the ironic relationship between preservation and decay specifically through the lives and subsequent archival remains of those who have met premature social violence. Even as a living body, you can face premature death in society due to perceived criminality, incarceration, and race. The castigation to social death can be interpreted as “a loss of social identity, a loss of social connectedness and losses associated with disintegration of the body” as imposed by society and its structures (Králová). When you are purposefully neglected by governmental institutions and deemed non-existent, it is common to meet the same fate in the archives. Archival renewal However, neither physical death nor societal death is final. The debris and decay that is left behind and scattered physically reside in a unique space of institutional memory. By highlighting what already exists in the archive and examining those pieces alongside queer, black feminist theory, and decolonial perspectives, I question if there can be a rebirth: a wholeness, love and life redeemed in the archive. Jana Králová (2015) What is social death?, Contemporary Social Science, 10:3, 235-248, DOI: 10.1080/21582041.2015.1114407 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ELEGY Subject The topic of the resource death Description An account of the resource A unique grievance that lies between a feeling of revival in beauty and a body that eludes our control. Creator An entity primarily responsible for making the resource Walter Lew Date A point or period of time associated with an event in the lifecycle of the resource 1983 Format The file format, physical medium, or dimensions of the resource unpublished manuscript Language A language of the resource english Type The nature or genre of the resource free-form poetry Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Brown University Archives, Greenfield Press Records Box 7 Folder 5